Endless 

by LinZhang

Endless is an interactive digital media installation presented on five monitors that act as a sort of storyboard. On each monitor, viewers see animated images drawn from a well-known late Ming period Chinese illustrated book the Cheng Shi Moyuan. The images depict skeletons, monks, elephants, and other figures in harmony with nature. As the images proceed on a two minute and thirty-four seconds loop, dust begins to fall from the sky in the scene. The dust is prompted by a laser sensor; as more viewers enter the space, the dust falls quicker, eventually covering the figures. When enough people enter the space (about ten), the figures shake off the dust, and the cycle begins again. If no people come inside the space, the dust continues falling in a regular pattern; but once each of the characters on each screen has shaken off one hundred coatings of dust, all the figures transform into a pureatmosphere. 

As a phrase in classical Chinese, jueju has another, related meaning in a pun: it suggests that scenery never repeats itself-it is endless and ever-changing. Endless questions the assumption that the environment will always adapt to the effects of the presence of humans; it is not endless if people take it for granted. The earth counts time in billions of years. It took more than four billion years for the earth to create nature in a circle, and humans only 200,000 years old, but they are changing the face of the world. Before humans appear, the earth’s life cycle is a process of constant renewal. The cycle is never broken. Yet humans have succeeded in disrupting the balance that is so essential to life on Earth. As governments around the world continue to put their Gross Domestic Product (GDP) ahead of their environmental policies, they risk everything. As the figures in Endless are covered in dust, which appears so placid, they seem metaphorically succumbing to damage and pollution. But because the cycle is Endless, it begins again and again.